Sunday, January 04, 2026

Comparison Of Selected Passages In The Bible And the Quran Episode 2

In the piece Who is the Liar? John the Baptist or Yahya (يحيى), and Occam's Razor, we attempt to use problem solving tools to arrive at the truth, specifically Occam's Razor. This piece is intended to be complementary noting that we have yet to invoke the Triune God.




 Meriting Eternal Life 

In the Gospel of John, chapter 14, verse 6 (John 14:6) Jesus tells his disciples, "I am the way, and the truth, and the life. No one comes to the Father except through me," signifying He is the sole path to God, the embodiment of ultimate reality, and the source of eternal life, offering reassurance and guidance to His followers before His crucifixion.


The concept of "eternal life" is closely linked to this verse and is explicitly promised by Jesus in other parts of the Gospel of John, most notably John 3:16: "For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life
The Way: Jesus identifies himself as the exclusive path to God, acting as the mediator between humanity and the Father.

The Truth: He is described as the embodiment of absolute, divine truth and the fulfillment of God's promises.


The Life: Jesus is presented as the source of both spiritual and eternal life, offering a connection to God that continues forever.
This verse was spoken by Jesus during the Last Supper to comfort his disciples as he prepared for his death, assuring them that faith in him would lead them to God.


In Islam, meriting eternal life (Akhirah) differs from the Christian focus on a single person as the "way." Instead, Muslims attain paradise (Jannah) through a combination of correct belief, righteous deeds, and ultimately, Allah's mercy.

Core Requirements for Eternal Life
Faith (Iman): The foundational requirement is belief in the Oneness of God (Tawheed). This includes accepting all prophets (including Jesus as a prophet), revealed books, angels, and the Day of Judgment.


Righteous Deeds (Amal Salih): Life is viewed as a test where actions are recorded and weighed on a divine scale (Mizan). Good deeds—such as the Five Pillars of Islam, kindness, and justice—must outweigh bad deeds to enter paradise.

Repentance (Tawba): Because humans are viewed as naturally weak rather than inherently sinful, sincere repentance can wipe out past sins. Allah is described as "Oft-Forgiving" and "Most Merciful," forgiving anything except dying in a state of shirk (associating partners with God).
Key Theological Distinctions
No Original Sin: Unlike the Christian concept of inherited sin, Islam teaches that every individual is born in a state of natural purity (Fitra) and is solely responsible for their own actions.

Atonement vs. Guidance: Islam rejects the need for a sacrificial savior to atone for sins. Jesus and other prophets are viewed as guides who show the "straight path" (Sirat al-Mustaqeem) through their teachings and example.

The Role of Mercy: While deeds are crucial, Islamic tradition emphasizes that no one enters paradise by their deeds alone; it is only by Allah's grace and mercy that a soul is saved.

Lack of Assurance: Except for those who die in the service of Allah (martyrs), most Muslims live in a state of "fear and hope," as the final judgment rests entirely on Allah's sovereign will and remains unknown until the Day of Resurrection.

The Eye of The Needle



The phrase "it is easier for a camel to pass through the eye of a needle than for a rich man to enter the kingdom of God" is a famous biblical metaphor found in the Gospels of  Matthew (19:24)Mark  (10:25), and Luke(18:25)

The expression highlights the extreme difficulty or human impossibility for those who trust in material wealth to achieve salvation. 


Most scholars believe Jesus used an intentional, absurd exaggeration to illustrate that salvation cannot be earned through human effort or wealth. By comparing the largest animal in the region (the camel) with the smallest opening (a needle's eye), he emphasized that such a feat is humanly impossible.

The context following the verse is critical: after the disciples asked, "Who then can be saved?", Jesus responded, "With man this is impossible, but with God all things are possible". This indicates that salvation for anyone, rich or poor, is a miracle of God's grace. 

While the imagery is common to both the Bible and the Quran, the context of who faces this impossibility differs: 

Bible (Matthew 19:24): Jesus uses the metaphor to describe the difficulty for a rich person to enter the Kingdom of God, emphasizing how material wealth can be an obstacle to spiritual humility.

Quran (7:40): The metaphor is applied to those who reject divine revelations out of arrogance (istakbarū). It signifies that for those who pridefully turn away from God's signs, salvation is as impossible as a massive animal passing through a microscopic opening. 

Exposé: The Hunt. for Missing Right-Wing Journalists" - The Storyboard

According to the Palestinian Wasp, inspired by the viral Nick Shirley's exposė of massive fraud in Minnesota,
Independent journalists trying to find missing right-wing journalists.





They have knocked on doors at Fox, NYT, CNN, AP, WaPo and found ZERO right wing journalists.

This storyboard breaks down the video script into key frames/sequences. Each panel includes a description, visuals (with rendered camera style, audio/voiceover, and text overlays.)  The style mimics Nick Shirley's raw, investigative videos: handheld camera, quick cuts, dramatic music, and on-screen graphics.

Panel 1: Opening Title Sequence
  • Visual Description: Shaky handheld shot of independent journalist (Alex) walking toward camera on a city street, looking serious. Cut to title card with dramatic red/black graphics.
  • Reference Image:



(Independent journalist approaching with camera, evoking door-knocking persistence.)
  • Camera: Handheld, close-up on face, then wide shot.
  • Audio/Voiceover: Urgent dramatic music swells. Alex VO: "I'm Alex, an independent journalist, and today we're diving into one of the biggest mysteries in American media: the disappearance of right-wing journalists."
  • Text Overlay: "Independent Investigation: Where Are the Right-Wing Journalists?" / "Total Found: ??"
  • Duration: 15 seconds
Panel 2: Montage Introduction
  • Visual Description: Quick cuts of team driving, maps pinning locations (NYC/DC/Atlanta), intercut with "missing person" posters parodying conservative figures and empty desks symbolizing absence.
  • Reference Images:



(Parody poster style for "missing" journalists.






Empty newsroom desk representing vanished voices.)
  • Camera: Fast montage, stock footage style.
  • Audio/Voiceover: Alex VO: "We've heard rumors that conservative voices have vanished from major outlets. So, we hit the streets—knocking on doors at Fox, NYT, CNN, AP, and WaPo."
  • Text Overlay: Location pins: "Fox News" / "NYT" / etc. / "Mission: Find Right-Wing Journalists"
  • Duration: 20 seconds
Panel 3: Fox News HQ Visit
  • Visual Description: Alex outside the building, knocking on glass door, speaking to intercom/security.
  • Reference Images:



(Fox News headquarters exterior.)



Xx



(Journalist knocking/approaching door.)
  • Camera: Handheld, wide establishing shot then close-up on Alex.
  • Audio/Voiceover: Alex on-camera: "First stop: Fox News. You'd think this is ground zero for right-wing journalism... Any right-wing journalists here?" / Muffled receptionist: "No comment."
  • Text Overlay: "Fox News: Strike One" / "Right-Wing Journalists Found: 0"
  • Duration: 40 seconds
Panel 4: New York Times Visit
  • Visual Description: Rainy day outside NYT building; Alex knocking symbolically, interviewing passersby.
  • Reference Images:


(New York Times headquarters exterior.)




(Door-knocking action.)
  • Camera: Tilt up building, then medium shot of interactions.
  • Audio/Voiceover: Alex: "Do you work here? Have you seen any right-wing journalists?" / Passersby responses. VO: "Zero avowed right-wing columnists."
  • Text Overlay: "NYT: Balanced... or Biased?" / "Found: 0"
  • Duration: 35 seconds
Panel 5: CNN Visit
  • Visual Description: Alex at CNN Center entrance, turned away by security; insert comedic animated "surveillance" of rejection.
  • Reference Images:


(CNN Center exterior.)





(Empty desk for "no right-wing anchors" graphic overlay.)
  • Camera: Wide shot of building, quick cuts to security interaction.
  • Audio/Voiceover: Alex: "Any leads on missing right-wing journalists?" / Security: "Move along." VO: "Panels stacked left—no right-wing voices."
  • Text Overlay: "CNN: Most Trusted... For One Side?" / "Found: 0"
  • Duration: 40 seconds
Panel 6: Associated Press Visit
  • Visual Description: Alex at AP offices, speaking to doorman; graphics of analyzed stories.
  • Reference Image (general office exterior for approximation):




(AP-related building visual.)
  • Camera: Static wide, then zoom on Alex.
  • Audio/Voiceover: Alex: "Any right-wing perspectives hiding here?" / Doorman: "Non-partisan. No interviews." VO: "Zero conservative slants."
  • Text Overlay: "AP Stories Analyzed: 100 / Right-Wing Angles: 0"
  • Duration: 30 seconds
Panel 7: Washington Post Visit
  • Visual Description: Dramatic knock at WaPo HQ; Alex concluding the hunt.
  • Reference Images:



(Washington Post headquarters at One Franklin Square.)




(Final knocking shot.)
  • Camera: Low angle for intimidation, close-up wrap-up.
  • Audio/Voiceover: Alex: "We're exposing the void! Any right-wing journalists?" / Employee: "Private property." VO: "Zero again. This is the real scandal."
  • Text Overlay: "WaPo: Democracy Dies in... Balance?" / "Total Right-Wing Journalists Found: 0"
  • Duration: 35 seconds
Panel 8: Closing Montage & Call to Action
  • Visual Description: Recap quick cuts of all buildings and knocks; fade to Alex on camera.
  • Reference Images: Montage reusing prior exteriors (Fox [0], NYT [4], CNN [2], WaPo [6]).
  • Camera: Fast-paced recap, end on static shot.
  • Audio/Voiceover: Music swells. Alex VO: "Independent journalists like us are hunting, but mainstream? Silent. Stay vigilant."
  • Text Overlay: "Share if you demand balance!" / "Subscribe for more exposés" / "Inspired by Nick Shirley's Minnesota Fraud Exposé"
  • Duration: 20 seconds
Total video length: ~4-5 minutes. This storyboard is ready for production—use stock footage, actor for Alex, and simple graphics in editing software like Premiere or CapCut. Let me know if you want additions like specific shot lists or script revisions!